| | Year | Project | Artist | Submitter | [Submission Order] |
| | 1967 |
Kino-Automat
|
Raduz Cincera
| Michael
| 1 |
| | 1980 |
Reflections from Earth
|
Tom Van Sant
| Michael
| 2 |
| | 1991 |
Cinematrix "Pong"
|
Loren Carpenter, Rachel Carpenter, and others
| Michael
| 3 |
| | 1993 |
The Barbie Liberation Organization
|
RTMark
| Michael
| 4 |
| | 1960 |
Homage To New York
|
Jean Tingely
| Guillermo
| 5 |
| | 1998 |
Noon-Quilt
|
Sue Thomas
| Anjali
| 6 |
| | 1878 |
Studies in Animal Locomotion
|
Eadweard Muybridge
| Brett
| 7 |
| | 1999 |
Mnemonic
|
Theatre d' Complicite
| Ashleigh
| 8 |
| | 1969 |
VIDEOPLACE
|
Myron Krueger
| Josh
| 9 |
| | 1993 |
The Flock
|
Ken Rinaldo
| Daniel
| 10 |
| | 1958 |
Philips Pavilion Poème Electronique
|
Le Corbusier, Iannis Xenakis, and Edgar VarËse
| Hans
| 11 |
| | 1998 |
Composition on the Table
|
Toshio Iwai
| Katalin
| 12 |
| | 1999 |
Genesis
|
Eduardo Kac
| Ashleigh
| 13 |
| | 1992 |
Imagologies
|
Esa Saarinsen and Mark C Taylor
| Guillermo
| 14 |
| | 1996 |
Grammatron
|
Mark Amerika
| Anjali
| 15 |
| | 1882 |
Flight of a gull - Fusil Photographique
|
Etienne-Jules Marey
| Katalin
| 16 |
| | 1961 |
Bicycle Built for Two
|
Max Mathews and Joan Miller
| Hans
| 17 |
| | 1968 |
oNLine System
|
SRI's Augmentation Research Center, led by Doug Engelbart
| Hans
| 18 |
| | 1994 |
The World's First Collaborative Sentence
|
Douglas Davis
| Brett
| 19 |
| | 1999 |
Ambiguous Icon 0
|
Jim Campbell
| Daniel
| 20 |
| | 1996 |
My Boyfriend Came Back from the War
|
Olia Lialina
| Josh
| 21 |
| | 1991 |
Liquid Architecture
|
Marcos Novak
| Anjali
| 22 |
| | 1927 |
Napoleon
|
Abel Gance
| Michael
| 23 |
| | 1996 |
Ping Body
|
Stelarc
| Ashleigh
| 24 |
| | 1950 |
Oscillons
|
Ben F. Laposky
| Guillermo
| 25 |
| | 1993 |
Perceptual Arena
|
Ulrike Gabriel
| Katalin
| 26 |
| | 1978 |
MUD
|
Roy Trubshaw
| Hans
| 27 |
| | 1971 |
SNDMSG and READMAIL
|
Ray Tomlinson
| Hans
| 28 |
| | 1960 |
Arnulf Rainer
|
Peter Kubelka
| Brett
| 29 |
| | 1998 |
One Tree
|
Natalie Jeremijenko
| Daniel
| 30 |
| | 1985 |
Tetris
|
Alexey Pazhitnov
| Josh
| 31 |
| | 1041 |
Movable Type
|
Pi Sheng
| Hans
| 32 |
| | 1998 |
Amorphic Robotic Works
|
Amorphic Robotic Works
| Anjali
| 33 |
| | 1998 |
Sisyphus
|
Jean-Pierre Hebert
| Katalin
| 34 |
| | 1963 |
Tactile Painting
|
Yaacov Agam
| Brett
| 35 |
| | 1876 |
Marey's Photography & Movement
|
Etienne Jules Marey
| Ashleigh
| 36 |
| | 1923 |
Wax Experiments
|
Oskar Fischinger
| Josh
| 37 |
| | 1742 |
Clavecin Ocularie
|
Louis Bertrand Castel
| Guillermo
| 38 |
| | 1937 |
Coronet
|
Harold E. "Doc" Edgerton
| Hans
| 39 |
| | 1946 |
Estructura Luminica Madi (Luminous Madi Structure)
|
Gyula Kosice
| Brett
| 40 |
| | 1919 |
Readymades
|
Marcel Duchamp
| Daniel
| 41 |
| | 2000 |
Screenshots
|
Jon Haddock
| Daniel
| 42 |
| | 1999 |
Protrude-Flow
|
Sachiko Kodama + Minako Takeno
| Katalin
| 43 |
| | 1999 |
Artist's Statement #45,730,944
|
Young-Hae Chang and Marc Voge
| Guillermo
| 44 |
| | 1964 |
Computer Composition with Lines
|
A. Michael Noll
| Daniel
| 45 |
| | 1998 |
Boundary Functions
|
Scott Snibbe
| Josh
| 46 |
| | 1998 |
Ephemere
|
Char Davies
| Anjali
| 47 |
| | 1986 |
Habitat
|
Chip Morningstar and F. Randall Farmer
| Brett
| 48 |
| | 30000 BC |
Lascaux Cave Painting
|
Unknown
| Hans
| 49 |
| | 50000 BC |
Neanderthal Flute
|
Unknown
| Hans
| 50 |
| | 1990 |
Orlan: Plastic Surgery as Performance
|
Orlan
| Ashleigh
| 51 |
| | 1965 |
Magnet TV
|
Nam Jun Paik
| Ashleigh
| 52 |
| | 1999 |
Head
|
Ken Feingold
| Ashleigh
| 53 |
| | 1816 |
The Kaleidoscope
|
Sir David Brewster
| Ashleigh
| 54 |
| | 1973 |
Reality Properties: Fake Estates
|
Gordon Matta-Clark
| Brett
| 55 |
| | 1937 |
The Work of Art in The Age of Mechanical Reproduction
|
Walter Benjamin
| Guillermo
| 56 |
| | 1902 |
Trip to the Moon
|
George Méliès
| Josh
| 57 |
| | 1597 |
Dafne
|
Jacobo Peri
| Hans
| 58 |
| | 400000 BC |
Tan Tan Figurine
|
unknown
| Hans
| 59 |
| | 507500 BC |
Bhimbetka Cave Paintings, India
|
Generations of Unknown Artists
| Anjali
| 60 |
| | 1958 |
TV De-coll/age
|
Wolf Vostell
| Brett
| 61 |
| | 1994 |
Biological System Controls Factory
|
Professor Ogunnaike
| Guillermo
| 62 |
| | 1952 |
4'33"
|
John Cage
| Josh
| 63 |
| | 1999 |
SOD
|
Jodi
| Brett
| 64 |
| | 1959 |
Cindy Electronium
|
Raymond Scott
| Hans
| 65 |
| | 1970 |
Spiral Jetty
|
Robert Smithson
| Hans
| 66 |
| | 1969 |
'TV as a Creative Medium'
|
12 including Ira Schneider, Frank Gillette, Nam June Paik, Paul Ryan
| Anjali
| 67 |
| | 1998 |
Audio Grove
|
Christian Möller
| Josh
| 68 |
| | 1997 |
A Host of Halfties
|
Ana Maria Uribe
| Guillermo
| 69 |
| | 1974 |
The Kiss
|
Lloyd Cross
| Ashleigh
| 70 |
| | 1998 |
Genealogy
|
Shimogawa Kei
| Katalin
| 71 |
| | 2000 |
Wakening Shrouds
|
Evelina Domnitch and Dmitry Gelfand
| Katalin
| 72 |
| | 1983 |
Videodrome Trailer
|
Unknown (Michael Lennick?)
| Brett
| 73 |
| | 1996 |
The Connection Machine
|
Tamiko Thiel
| Katalin
| 74 |
| | 1917 |
The Theremin
|
Leon(Lev) Sergeivitch Termen
| Daniel
| 75 |
| | 1991 |
Forest Walk
|
Janet Cardiff
| Guillermo
| 76 |
| | 1999 |
GrafittiWriter?
|
Institute for Applied Autonomy
| Guillermo
| 77 |
| | 1997 |
Mori
|
Ken Goldberg, Randall Packer, Gregory Kuhn, Wojciech Matusik
| Anjali
| 78 |
| | 1998 |
Breathing earth
|
Sensorium Group
| Anjali
| 79 |
| | 1997 |
Galápagos
|
Karl Sims
| Josh
| 80 |
| | 1997 |
Every Icon
|
John Simon
| Josh
| 81 |
| | 1995 |
Obsessive Becoming
|
Daniel Reeves
| Ashleigh
| 82 |
| | 1989 |
Johannesburg, 2nd Greatest city after Paris
|
William Kentridge
| Daniel
| 83 |
| | 2000 |
Mimetic Reconstructions
|
Stefanus Radameyer
| Daniel
| 84 |
| | 1997 |
Audible Distance
|
Maebayashi Akitsugu
| Katalin
| 85 |
| | 1997 |
conFiguring the Cave
|
Agnes HEGEDUS + Jeffrey SHAW Bernd LINTERMANN + Leslie STUCK
| Katalin
| 86 |
| | 1987 |
Trackers
|
Merce Cunningham
| Daniel
| 87 |
| | 1997 |
Mauve Dessert
|
Adriene Jenik
| Ashleigh
| 88 |
| | 1995 |
Tillie, the Telerobotic Doll
|
Lynn Hershmann
| Anjali
| 89 |