| Kino-Automat
Raduz Cincera, 1967
Links
http://naid.sppsr.ucla.edu Speaking
with
the Artist
http://www.naimark.net
Billed as "the world's first interactive movie," Kino-Automat was shown
in a specially-built theater in the Czech Pavillion at Expo '67 in Montreal.
Each of the 127 seats in the theater had a pushbutton panel with one red and
one green button. Five times during the movie, the show stops and a live performer
appears on stage and asks the audience to vote on which of two possible scenes
should play next. Everyone's vote is visible around the perimeter of the film
screen. As if by magic, the voted scene is played.
It's not
magic but clever design: rather than creating an exponential branching
structure requiring many possible scenes, Cincera
wrote the script such that
each scene ends back at the same next option, regardless of which was chosen.In
fact, the "magic" was really a projectionist switching the lens
cap between two sychronized projectors based on the voting results.
It's important
to note that there is no "new media" technology used
for Kino-Automat. Yet it's one of the first known examples of "interactive
media" of any kind and is therefore relevant.
Cincera made Kino-Automat as a politically-inspired joke. The opening scene
is of Mr. Novak, the main character, in front of a burn-down apartment
building saying "it wasn't my fault, really. Let me tell you my story." Thus
the initial set-up is that the story is a flashback with a pre-determined ending.
After some of the choices, Mr. Novak appears onscreen again and say to the audience "That's
an excellent choice. I'm glad you made that choice, and I don't say this often!" Cincera,
a Czech during the Cold War, wanted to make a commentary on the illusion of
control of voting.
Kino-Automat
inspired me, largely because it demontrates that in the end, the
difference between actual control and apparent
control, is zero.
Submitted
by
Michael Naimark
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